Tuesday, March 10, 2009


Well, all of these posts are about great women, so here is one that I met when I was just a young lad, Erica Quitzow, musician/singer extraordinaire. I met Erica and her boyfriend Gary, in 1998. I had just moved to San Francisco with $500.00 to my name. That was one of the craziest things I have ever done, it was the height of the dot com era, and it was the most expensive time to move there ever! What was I thinking? Anyhow, through a service called "roommate referral" I met these lovely people, and they seriously changed the course of my life!! This is her song, and d.i.y. video. That's what was most inspiring about her when I first met her. I'd never met anyone who actually did everything themselves from scratch. Erica is always pushing herself, and guides her own creativity and path from every direction, and I don't know how she does it. It's very inspiring!

PJ is the King

I can't even say anything. She is amazing!!!
She has been my favorite for a long time, and sometimes, I just have to take it back old school to remember my roots.

Interview with Cecilia Gavia

I recently revisited an interview I did with one of my classmates, aka Postmodern Cat Lady, and wanted to share this with ya'll. I really love writing, and this was a fun piece. Also I am going to be directing a film that features her and her photography, which is why I am looking back at what I have worked on with her before. Unfortunately, I cannot direct anyone to photo link right now, because she is still working on her website, but this will give you some insight.

That girl is poison. Never trust a big butt and a smile. Poison.
She’s dangerous. Poison. Oh yeah. Poison. Bell Biv Devoe, now you
know you’re slick blow. That’s what band Cecilia Gavia’s photographs would be if she translated them into a sonic experience. A throw back to 90’s hip hop, gold grills and shiny props. Her inspirations range from LOL cats to craft culture. She’s an avid knitter and likes to incorporate pink and yellow into here repetoire of elements. She describes her work as funny, tacky and cute. Which would explain her love of Rosewood, a font that only few can pull of with the sophisticated mash up of gaudy, humorous, clever know how that Gavia imbibes her work with. Her work is a reflection of pop cultural mythologies and feminine archetypes while she is intereseted in constructing images that are at once confrontational and celebratory. The hyperreal becomes the point of interest in a world where suburbia meets the underbelly, but in a way that isn’t angry, that’s very important to Gavia. She leads her viewers to a place of the uncanny, rather than down the back alley of teen angst. She is interested in exploring themes that deal with the politically incorrect and in your face aspects of femininity. The work she makes is meticulously planned, and every detail is accounted for.
Essentially, she seeks to bring her audience a vision of the “other”, but not from a place like Diane Arbus, who she sees as having a more pessimisstic view of the world, Gavia wants to celebrate the giant in the room. She wants to celebrate eating the popsicle after it’s been dropped on the ground on a hot summer day and take your picture while loving all the grime the comes with eating a dirty treat.